Should Top Gear UK Continue Without Jeremy Clarkson?

I can’t believe I’m actually writing this post. Jeremy Clarkson was fired (his contract was not renewed) this week because he punched a producer of the show Top Gear. If you need a refresher on the details, you can read the BBC statement here. I am a longtime fan of Top Gear (since 2004), but I can’t condone Jeremy’s actions. He is brilliant but also quite rubbish in real life. The BBC isn’t like a TV network in the US, they are funded by tax dollars and can’t allow inappropriate things like this to happen while being funded by the government. After Jeremy is let go from the BBC, it is expected that the other hosts James May and Richard Hammond will also leave. Therefore questioning the future of the show that was the most watched factual programme in the world. 

Its a small world after all.

Its a small world after all.

You may already know that Jeremy Clarkson resurrected TopGear in 2002 from a sleepy little car review show and turned it into one of the biggest TV show franchises ever. I discovered TopGear many years before it was broadcast on US TV while on a quest to find all the Eddie Izzard TV appearances. (of whom I was fascinated with at the time) After seeing Eddie’s appearance on a dvd recording of TopGear, I looked up the show online. I spent about half of my day at work the next day watching TopGear clips on YouTube. The first episode I remember was Series 7, episode 3. The one where they take a Ford GT40, a Ferrari and a Pagani (panini) Zonda to Paris and almost get them stuck in a parking garage on their way to shoot some scenic car p#rn on the Millau bridge.

There I was in my cubicle laughing with disbelief when they almost scraped up these 100K+ super cars on the exit ramp from the garage. It was pure un-planned reality TV at that time, and far more entertaining than anything on US network TV. The OMG humor in the garage situation was contrasted with the amazing and majestic panoramic views of the cars on the Millau bridge. TopGear was brilliant because early on they decided to embrace the things that went wrong and have a sense of humor about it. They were also great about balancing the humor in the show with genuine moments of awe. (especially in many of their travel shows). The production quality and editing was also really good for a car show and with that they singlehandedly changed car commercials forever.

Stig is quite proud of this. He might get a producer credit.

Stig is quite proud of this. He might get a producer credit.

At that moment I saw the show in YouTube, I was hooked. I had a family that appreciated cars even though we didn’t have enough money to do anything stupid with them. (Buick!) My brother spent high school and college rebuilding and street racing an IROC camaro (and a bunch of beaters) and my dad was one of those people who could name any make and model of car (1930-present) pretty much on sight. I got the car humor on TopGear immediately and identified with the sort of friendship that the three hosts had on the show.

I’ve posted before about the contrast in the hosts personalities making the show great. The love of cars might be the only thing that they had in common when they started working together. Even if they amplified their personalities to the point of becoming a character on the show, it worked. I saw the same kind of humor and silliness in my brother’s friends all those years that they were taking apart their Camaros and Mustangs in an effort to make them faster, cooler and in some cases, just function. I was fascinated by the TopGear hosts and the fact that they had found a way to make a living messing around with (other people’s) cars. How do you get that gig? And then how do you live up to the expectations of everyone watching you muck about like a teenager? It was really unbelievable. Part teenager’s dream, part improvisational reality TV and part relationship drama. Oh yea, with cars. After seeing TopGear, I never ever wanted to see Motor Week  again. TopGear found a way to bottle that energy that I knew existed within the gearhead/streetracing communities here in the US and sell it to the world. Brilliant.

After initially discovering the show I had to share TopGear with my family, and after a while I was able to get a region free dvd player and some dvds from the UK and we would watch the show together. (later we found other ways of getting the shows on to our US television) My mom even thought it was a funny show even though she didn’t care about cars.

We watched TopGear on most Sundays when I would go home to visit my parents and have Sunday dinner together. TopGear was a fixture in our lives from about 2004 until 2012. Those were really good times spent together. My dad passed away in 2013 at about the same time that I had a baby. I haven’t been able to watch much TopGear since. (we’re about 2 years behind on the dvr) My brother is still a loyal fan, and isn’t 2 years behind on episodes because he doesn’t have a toddler. We have introduced our son to one or two shows of TopGear and he does like cars. (but he would prefer that it was hosted by Elmo) Maybe some day when he is older we will get the old dvds out and show him all the seasons of TopGear and have that kind of family time again. Why do I bother to tell the story about my family watching the show? Because it illustrates the kind of connection that TopGear had with so many people all over the world with this particular formula.

The story doesn’t end there though.

I have told a very long story without answering the initial question in this post.

Should TopGear live on without Jeremy Clarkson, James May & Richard Hammond presenting? 

I think TopGear can live on without them because the BBC owns the rights to the concept, the name, the production. Everything. The BBC has the distribution network and the rights to keep selling a car show to the world. They can hire new hosts, write new content and keep producing. That said, I don’t know if the BBC should continue to produce TopGear without Jeremy, James and Richard. It doesn’t really make sense.

Some logistics for the BBC to consider: New hosts take at least one season to get their bearings set and develop a rapport with eachother. Sometimes you pick the wrong people and it takes longer. The TV watching public expects an amazing amount of humor, production quality and entertainment from TopGear because of its reputation. There is no way to meet the expectations of the public before they abandon a show (maybe 2-3 episodes?). The viewers had a relationship with Jeremy, James and Richard. It developed over years of inviting them into our home every Sunday. Its awkward to have someone new over to replace someone that has been a regular guest for so long. Sometimes it just doesn’t work out.

camaro n mustang

The IROC in all its glory. Note the burnout patches on the street. Also note the date-stamp.

If the BBC wants to continue the TopGear UK show my suggestion is to do a franchise re-boot and not a continuation of the current show.

1. Start with 3 people that are very well versed in cars but rather unknown personalities. (not all of them have to be men)

2. Make sure they are young, but they appreciate and know a lot about automotive history.

3. Make sure they have very different personalities, yet don’t hate each other.

4. Take them to some improviser workshops. Make sure they’re OK taking direction and comfortable on camera.

5. Introduce them to the Stig. The Stig stays. (Like many Stigs before him.)

6. Possibly rename the show.

7. Possibly add some different segments or twists to the segments.

And what will happen to Jeremy Clarkson, James May & Richard Hammond? I am sure that they will continue to make entertaining shows elsewhere in the world after TopGear. The viewers still have that relationship with them and the hosts take it with them wherever they go. I think a US network/company would be perfectly fine with a host that punches people occasionally, but Jeremy isn’t a fan of the US all that much. So, we will see if he considers working on this side of the pond. James and Richard could follow Jeremy wherever he goes because they are an automotive triumvirate and car companies will still trust them with 250K cars.

It doesn’t mean that things will be easy starting over. Jeremy, James and Richard aren’t getting any younger. I actually thought that the show would end someday because one of them was seriously injured or because they were too old to get insurance for those kind of stunts. (they have taken so many chances with pushing the limits over the years) They have to really think about how they can muck about and have fun in an age appropriate way. Going to the North Pole may not be a safe option anymore. Maybe they need younger sidekicks to mentor or kids to teach about cars. Maybe they broaden the scope of the show beyond cars? Maybe its traveling that they are into now? Maybe its new car innovations? Who knows, I am sure that they will have some ideas and may already be working on something.

Whatever happens, we will survive with or without Top Gear. (We have the archives right?) It was a great time in TV history and we will remember them for their innovations and their humor. We will still have cars as an interest in our day to day lives. After all, I still drive a 300 hp turbocharged Volvo and my husband has a cutting edge electric Chevy Volt. (its faster than you think) My brother drives a V8 Buick Lacrosse Super. My brother in law drives a white hybrid Audi Q3. (I don’t know what’s up with that.) And we will enjoy many more years of interesting cars because of TopGear.

The Man in the White Suit – Ben Collins Stig Book

ben collins is the stig 2010 and a pretty hot guy if you ask me.I just finished The Man in the White Suit by Ben Collins and I found it to be an interesting look into the life of a man that landed in an amazing job on TopGear UK, and a telling look at the life of TopGear behind the scenes.

I was one of the many people saying “why?!” after I heard that The Stig published a book about his experiences on TopGear and revealed his identity and effectively lost his job. It seemed like career suicide to do this and lose this sweet gig racing some of the rarest cars on the planet and hooning some of the funniest moments in car television for an audience of 350 million people worldwide.

After reading the book I understand his motivations a bit more. In the press Ben Collins has said that he revealed this information in order to better move on in his career rather than be taunted by Jeremy and the other presenters about the difference in pay and benefits. And, I agree that taunting or lording things over the heads of your employees will produce resentment that can’t be undone and eventually things always end badly.

Reading this book has surprised me though, about the man who was The Stig and about how TopGear UK is actually run on a daily basis.

I think the first thing people realized after hearing that The Stig had written the book (after they were initially upset to lose the stig on the show) was that they had never heard of Ben Collins and most of the speculation up until that point was about F1 drivers in this role.

The truth seems that while Ben Collins was talented and up and coming in the racing circuit ranks of England he did not make it to F1 or stay in any one race style for that long. His race story started late in life (teenage years) and was mostly considered too old for positions with teams or had bad timing/luck with the teams he was on. But that is the story for 99% of race car drivers isn’t it? We just never hear about them so it seems unusual.

So, TopGear coming up as an opportunity was a blessing in a way, almost as much as it was a curse. What it seemed to be was a very-very part time job that despite the risk involved, would not provide enough regular pay to live on. The calls for doing appearances seemed irregular and in order to make ends meet after ditching his marketing career in favor of race driving, he had to enlist in the army in order to pay the bills.

Something does strike me as slightly crazy about Ben Collins knowing that at one point he was working in Marketing, racing cars, doing stunt work on films, enlisted in the Army and doing TG all at once. Who does this? It isn’t possible. That is like burning the candle at four ends. Nobody can keep that up and not end up dead somewhere. (yes, marketing is deadly)

On the same note Ben has also had some amazing skill/luck combinations that have mostly kept him out of the hospital/emergency room with a racing, stunt driving and military career. He only details one serious crash injury and with all those miles. It seems amazing it has only happened once considering all the crashes in racing that you see on TV.

On other notes it is surprising that in the Top Gear early days many of the stunts and shots they want to get with the Stig are vaguely defined and not at all specked/planned out from a safety or logistical perspective before Ben Collins gets there. It seems to be all managers and idea people pointing at him to figure it out and do the stunts without killing himself. This knack for figuring it out and nicely working for people who don’t really know what they’re doing landed him in his fifth career as a stunt driver and that has worked out in providing some choice movie driving roles, but again not regular salaried work.

I don’t know if I identify with the side of Ben Collins that puts himself through grueling Army military exercises running marathons through the un-marked wilderness while practically starving… but the side that shows juggling act of career with ambition is one that most people face and can relate to, so that angle in his writing works. I think most people have genuinely appreciated the creativity, skill and tenacity that he has brought to The Stig role over the last six years (this was way longer than the time the last stig was able to remain anonymous).

Do I think Ben did the right or wrong thing in reveling his identity? I think he realized that this job like most had an expiration date on it, and with the press on his heels he would be fired eventually when they published some weird proof of his identity without his knowledge. I think he just wanted to get in front of that and get the real story out before it got ahead of him and he lost his job as a result. Everyone wants some kind of control over their career and he hasn’t been allowed any in the last 6 years by taking extreme measures to remain anonymous and it was hampering his ability to get legitimate work so I can understand the motivation on his part.

I’m not sure what the BBC, Andy Willman, Jeremy Clarkson and the rest of the TopGear staff should do about this. It is obvious that the unknown driver element is crucial to the Stig character but there are serious gaps in their understanding of what constitutes a full time job. Either find different drivers to freelance all the time or find one to employ with regular pay and benefits. Even if that means they have a desk job the rest of the time or something. You will have far less resentment between presenters if there is more fairness in the compensation structure of the show. That said, keeping secrets in a TV show that is seen by 350 million people in the camera phone internet connected world is going to get more and more difficult. The person tasked with this needs to be compensated/rewarded as much for their secrecy and confidentiality as their driving skill since that is half the work.

I hope that the BBC and TopGear can come up with a solution for this because I certainly can’t. It is weird from all angles and delicate for the BBC as well as the Driver and the fans of the show. I will still enjoy the show regardless though, because of the creativity and general nuttyness of what they continue to do.

Yet, we are dealing with a completley different issue here in our family this week so with a slight change of topic I’d like to remember our car past here a bit. We are mourning the loss of one of our dear friends here that was a hoon-tastic car loving, Granada driving part of our high school years back in the 90’s. This reminds me that there are guys (and girls) all over America that could and would be great TG presenters (and Stigs) because of their love of cars and of pushing the boundaries with them (and laughing at them). 

In comparison, looking at the issues facing the BBC and Ben Collins, it is hard to identify with either side at this point, because they have both had so much success with their shows/careers already and probably have worked something out within five minutes. I’m not sure it is worth getting upset about.

granada whiteWe had just as many laughs with the guys from DGS high school and their Camaros, Mustangs, Fords and Imports over the years as TG has on a daily basis. Now years later it is sad that we’ve seen that some of them have had some serious issues in their lives and in this case we’ve lost one of the best guys to ever take apart a motor. We will miss Edgar Schuster and always remember his 8-track stayin-alive tapes, the 70’s white Granada and the snow tires with spikes doing sparky burnouts while driving my brother to school in 1994-95. Almost all of the four-corners guys showed up to pay their respects this weekend and say goodbye. For my brother, things just won’t be the same without his friend Ed. I’ve heard there is a VHS tape floating around of some hoontastic stuff, maybe worth uploading at some point. Maybe some car-sledding?

Why is it that the brightest stars go out the fastest?

camaro n mustang

I didn't have a picture of the Granada or Ed all I could find on facebook was this one of Scott and Brian from that era. It seems like a blink of an eye and yet it was 15 years ago. Brian says this is the only time Scott wasn't behind him while they were racing and Scott says that Brian has a broken dryer vent sticking out from under his car. I'm just glad they couldn't afford cars with very much horsepower back then when they were 18. Edgar's Granada probably smoked both of them with his nitrous.

What Should TopGear do about the Stig? get a new one?

racing helmets colors stig bbcWe all know by now that the TopGear white Stig has written a book and revealed his long kept secret identity. How could he do this? (maybe I will find out when the book arrives)

The Stig was a great character that adds a lot of life to the show, although he doesn’t publicly get acknowledged for his work. (Maybe that is what he needed?) Still, his mysterious identity was the way that fans related to him. Nobody wanted to be like the Stig when he was jokingly shown as Michael Schumacher. That is just way too intimidating. And keeping the role anonymous also kept racing enthusiasts from arguing over the bias/skills that he has because of the driver’s specific experience. It was pure genius for the show and the robotic slightly alien personality they adopted for the Stig over time really brought a comedic element to the show also. (anyone remember the stig’s credit card or how he used it?) 

I’m not sure what the answer is to this question. Mr Ben Collins has lost the best gig he has had yet and now they have to reinvent the Stig in a new form because Jeremy Clarkson has said that Ben was fired for this breach of confidentiality and contract with the BBC.

Does this mean there will be a Blue Stig? Or other colors and shapes and sizes? Or will they bring real race car drivers into the show as regular presenters? I think Tanner Faust is a good example of why not. Race car drivers tend to be emotionless trash talking robots. Look at Tanner and Paul Tracy in that car crash of a show they have on cable. It’s painful because there is no real-person-experiencing-the-car type element that people can identify with and the guys seem a bit wooden on camera. So, I don’t recommend bringing in more race car drivers in as hosts.

Maybe the stig can be reinvented in an interesting way. Maybe there is a recall and they can get another Stig sent from the factory? Maybe borrow the Stig’s Fat American Cousin for a while? Maybe recruit new stigs and make it a competition between the different colored race suited Stigs? Maybe there is a story behind how each stig is born or made that can be amusing to us all. Or a school full of little Stigs running around to recruit from in the coming years? Or can they get a local car rental place to rent a stig with the VW Rabbit for a slight upcharge? This is the joy of writing for characters like this, you can just make it all up as it comes, and that has made it quirky and interesting for the last 10 years or so.

Some people may want them to get someone like Sabine in there (as herself), which could be interesting, but even she isn’t the same element to the show and she likes to trash talk too much. I don’t understand what that adds to a show. They could very well hire a driver to “play a robot/alien guy driver character” with their face shown but acting isn’t really what race car drivers are known for.  They could turn ridiculous and audition a bunch of other people in bear suits, or whatever but thats kind of jumping the shark. Maybe they could recruit one of the guys from Clarkson Island?

Anyway, back to reality. I really liked the impartial comparison of each car by this independent yet authoritative source in the show. I really liked it being anonymous and I also think the story/character adds a lot of fun. I’m not sure what Jeremy Clarkson & team have up their sleeves but I hope its good because he has 350 million people waiting on this decision.  This is the most universally popular show in the world because of how it represents people’s love affair with cars and irreverence about conventions. It’s the biggest thing to come from the UK since Monty Python in the irreverence department and we would like more please.  Whatever they do, they may want to consider a higher salary for the role or just pick a new stig every year. I’m sure that if the show ends they would be able to reveal this info since it wouldn’t be necessary anymore and have  Stig reunion episode or something.

 Update:  Maybe TopGear should hire Daft Punk as the next stigs, have one drive and the other with a digital mixing board making music during the test drives? They’ve already got the right wardrobe.

Jay Leno’s Prime Time Show Experiment Flops

I am glad I am not the only one thinking this, but yet my initial reaction was “why are they recreating his incarnation of the Tonight Show an hour earlier?”. Ugh. The same old slow humor? The jokes you really have to stretch, strain and reach for? More not really funny headlines? More lame monologue jokes? Ugh…Click-Off, delete from DVR.

mid century modern house overlook california jay leno show set

this would be a more appropriate set for a late night show from California

I’m not of the prime Jay Leno age audience (I’m 33) but I am pretty sure that the people who collectively voted Jay Leno into office on the Tonight show many years ago are 55+ now and not looking for change. That must be why this is the exact same show, with the same band, the same lame bits and a new set. And the Oprah bit was kind of lame and the CGI used for the TV in the picture looked really fake. And they need a fireplace or something behind the 2 chairs on the stage to make it more like a comfy living room conversation and less like some window to Hollywood lights on that ridiculous over the top backdrop. How about a view of the Ocean? The beautiful scenic cliffs overlooking the ocean in one of those all glass mid-century modern houses would be a cool look.

I think we yearn for something fresh and new and look to see Jay do something unscripted for once. I actually kind of liked the way he was asking Kanye some tough interview questions like Diane Sawyer would do or Charles Gibson.  (although the one about Kanye’s mom was below the belt)  I also enjoyed the car wash sing and dance number for its impromptu serenading of an unsuspecting (or maybe not) girl at the car wash. (although the sex jokes in the song were a bit too much at that hour).

I think we want to see something outside the realm of a studio scripted variety show and more of an impromptu (reality based?) type of variety show. And let things happen as they may when set up for some kind of interaction on stage. Jay is actually funny on an improv basis when NBC lets him. I think we want to see more of Jay’s actual personality. We know little about him that is real and compelling because he has been behind all these writers for all these years. We’d like to get to know him better as a person and a presenter on this show, and it doesn’t have to be all comedy bits all the time. Think about what the variety/chat  show could be when you open up the boundaries.

I would like to see a little more Jonathan Ross and Jeremy Clarkson and that Parkinson guy style in the UK influence on this show, since it’s no longer late night. (with or without a 3 walled green room) Be silly, be open, interact with the audience, run around outside the studio, bring new people in as writers, with an improv background. And interact with people online about the show and take the online interaction into the show itself. Think more Ellen and less Oprah. Think more Jon Stewart and less Rod Stewart. More Letterman ok less Letterman… you get the picture…

And my biggest pet peeve: Where was the star in the reasonably priced car segment? With the tricked out battery-powered Ford Focus? I pretty much tuned in just for that because I am such a Top Gear UK  nut and they did not use that in the show at all. (when they did show it later in the season it sucked, because the track was too small, too slow and too dumb with obstacles)

I think they could bring back Jerry Seinfeld more often for reoccurring appearances if they would let them genuinely show off their friendship and allow them to do segments where they do stuff they genuinely enjoy together as friends. Why not do a road trip challenge ala Top Gear with Jay Leno, Jerry Seinfeld and Tim Allen? Three baby boomer car guys with very different personalities. I think there was a bad Disney movie about that, but reality is far funnier and they would have to drive their own cars.

I think there are limitless possibilities to where Jay’s show could go, but recreating the same tired format and segments is so limiting and will lose steam fast. A lot of people were relieved when it ended, looking for Jay to do something more fresh, new, funny and clever.  Let him evolve this show and turn it into something new that people will be fascinated with again. Being risk averse is easy and challenging the safe route will push TV and the show further into new funny territory. At least go see the groundlings improv and see what kinds of ideas some new writing people would have for the show. You never know, you might like it.

(seeing how Jay Leno recycled jokes from his show as the host of the White House Correspondent’s Dinner in 2010 I now believe that all his writers should be fired and he should stop doing comedy if he wants to phone it in. There are too many other funny people who should be there instead)

TopGear USA, Canceled – 2nd try

TG USA NBC FAIL - Who is up next?

TG USA NBC FAIL - Who is up next?

I just read that TopGear USA or Gear as NBC was going to call it, has been canceled before it has even begun. (because of the epic fail of Knight Rider??? WTF?)  This is disappointing news but it also doesn’t surprise me since this has been the 2nd try at getting a sister show in the US running in some form.

There was a BBC developed test pilot about 2 years ago called TGUSA that never left the ground, and in 2008 NBC started the process of developing a series and selecting hosts and now that has stopped too.

The Top Gear Show people at the BBC say that they are shopping the concept around to cable broadcast networks via the Jalopnik post, but I am not all that sure this will work either. I think that finding a network in the US for TopGear will be tricky because of a few things:

1. All the shows in the US change their content to please advertisers. TopGear does not. This is a huge risk for US networks, (cable or free tv) because they could loose a huge amount of revenue if an advertiser doesn’t like a comment about their product on the show. (not just cars remember, TG rips on anything they don’t like from caravans to clothing to speed cameras)

2. The only people who will want to fund this show would have to be fans. (even if they are executives or media moguls, they still have to be fans to believe in the concept) They would have to understand the intricacies of what TG is, how it is produced and why people love it so much all over the world. You can’t mess with that formula. They are trying so hard in Australia to get it right and my brother still calls it “Bad Top Gear” that we watch when UK Top Gear is off-season. It is a show that is incredibly hard to get right  and the chance you can replicate this in a formulaic way is slim. Just think, the UK  Top Gear has been running since 1977 and only since the late 1990’s has it been really good. It took them that long to get the UK version right and they are still tweaking.

The TopGear show not only takes the best improviser hosts, it must take a huge staff of researchers, a boatload of talented car mechanic guys for all the race and experimental stuff they do, a boatload of the best camera guys and the most excellent editors and sound people. And I am sure I am unfairly forgetting half of the staff. And then there is the constantly updated website. This is a large overhead cost when networks may not know if they can make any ROI from it and don’t know heads or tails about what would make it successful.

Maybe they should start small instead? A small TG-USA blog with short 5-10 min segment clips once in a while? See if it generates enough web interest and then take it to TV? Smaller staff, less hours needed in all the functions and it lets you get your bearings straight on all the details before going on to a higher cost/risk situation. Just a thought… 

Or maybe produce one time hour long “specials” to see how they take without a huge commitment in set building and long term contracts? More the on the road stuff, challenges, trips, building/breaking things? I am just trying to think of ideas on how to keep costs down and limit the risk in the beginning so it can catch on.

Another idea is to pitch it to a sports network, the speed channel or odd indie channel on cable like FX. Or go wild and produce it on the BBC America channel. (and take off those neutered versions of the show that are running there now) That might be it’s best chance of succeeding. Get some large (non-car) sponsors of the show and see what happens. 

Regardless of who ends up producing and funding TopGear USA I hope it lives and I still look forward to seeing the final product. (even if it ends up kind of crap)   . . .

Hey can I help? My brother and I plus my fiance make 3 redheads who know negligible things about cars and have great banter. (my Brother and Fiance actually do know something about cars, I am really the goof of the bunch) If nothing else these pics prove we are real people.

Ok, I know that is a crap idea, but I had to try…

We’d be the super low budget version.

Here’s a camcorder duct taped to your window, good luck, don’t break it. 

Seriously, it would be funny… Ok I’ll forget about it…

Top 10 Questions we have for TopGear, Season 12

I just wanted to post these since I have not written about TopGear UK in a while and I didn’t want them to think they weren’t still producing top content or keeping my attention. The season 12 shows (1-4) that I have seen so far have been excellent and had many laugh out loud moments in each one. I always find it funny that my brother, fiancee, my dad and I laugh at different parts of the shows too.

The US trip to the Bonneville Salt Flats for Speed Week was my favorite so far (maybe because of a post I made last year suggesting it for TG USA) but there is always another great TopGear show around the corner. Anyway, here are my top 10 questions for TopGear UK, since I do not live in the UK and can’t go ask them directly. (if they would like to come to Chicago, I would be happy to answer their questions about my city) 

If you have the answers to any of these questions feel free to leave me a comment.

10. When is the TopGear USA (Gear on NBC?) going to start? They have been filming/talking/speculation for over 6 months already. (This has been answered…it has been dropped by NBC, no plans as of yet to sign another network)
9. When are they going to start showing current shows on BBC America? (ahem, without 33% of the show cut out)
8. When are we going to get the Top Gear track times on the board for the Corvette ZR-1, Challenger SRT-8 and CTS-V? (its only fair)
7. Why does Richard Hammond change hairstyles each episode? Why does he still wear the man-jewelry he aquired during that Africa trip episode? Why is James May’s hair always falling in his face in the studio segments even though there should be a stylist around to help him avoid that? Why does James always wear the Cheshire Cat rugby shirt on new car test days?
6. Where can I go to learn to drive like that in my car? (seriously, TopGear sport driving schools sound good to me)
5. What is that 747 doing there out on the runway near the track? Is it flyable? I thought it looked like they might be taking it apart in one of the recent episodes.
4. Why is one of the turns in the TopGear track called “Chicago” if they have never actually filmed a show in Chicago? (hint, hint…)
3. What are all these bets that end with weird clothing about?
2.Who is the stig? What are the morse code messages saying in the car when the Stig tests out the new cars on the track? 


1. How can I integrate TopGear somehow into my wedding ?